I don't know if it has to do with my vacation days or the fact that I really, but really enjoyed reading this novel, but is was almost impossible to put it down, even though I'm not a big fan of historical fiction and I've watched the film 2 times already. Speaking of it, I'm sure there were many details left out, it's hard now to tell which, but it was definitely an advantage to put a face on the characters.
My interest in art over the years was quite inconsistent and I started by liking the modernists and surrealists, and by the time I met Vermeer I considered the Dutch masters (and many others for that matter) to be too old and classical for my taste. It was only in the last decade that I acknowledged them and still cannot put my finger on when I began to like Vermeer. Truth be told, Girl with a pearl earring
is not a painting I particularly like, I tend to favour those that are sunlit, usually set in front of a window, like this
, which later led me to love in the most absolute way the Danish trio, Ilsted, Holsoe and Hammershøi and their "Sunshine and silent rooms".
But back to the book. I don't remember if the Protestants VS Catholics issue was much focused on in the film version, but it was quite interesting to follow it throughout the book, and from what I've read, Chevalier's first novel went even deeper into it.
I terribly liked how Vermeer was always he
for Griet and the Master and Servant relationship was very much to my taste! And I'm back to the film: having Colin's face and voice in mind really helped, sometimes my imagination needs help with faces but mostly voices. And now I must choose something as gripping as this or else I will end up struggling to finish Fry's memoir.